The Sigma 18-35mm f/1.8 DC HSM is designed for APS-C cameras (which the T5i is) and gives you a length that’s excellent for any wide to standard situation, even in low light. To have f/1.8… that’s just asking for too much. To have a zoom lens with f/2.8 is awesome.
This is why a zoom is suitable for newcomers to wide photography as you get enough distance to work with. Wideangle photography can be tricky if you’ve never owned a wide lens before as you might actually get too much in your scene than you imagine. It was announced 2 years ago and is already one of Canon’s best selling lenses, and most recommended wideangle choices. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape and indoor/real estate, definitely check out the 10-18mm. You do lose 4mm on the far end, and the largest aperture at 10mm is slightly smaller, but in return you get improved image quality, STM that makes recording videos easier for you, at a lower price. The cheapest zoom that offers better performance than Canon’s previous, more expensive wideangle 10-22mm zoom is the Canon EF-S 10-18mm f/4.5-5.6 IS STM. For night time/indoors you’ll want a larger aperture, and there’s nothing better than the Canon EF-S 24mm f/2.8 STM and Sigma 18-35mm f/1.8 DC HSM. The Canon EF-S 10-18mm IS STM is our favorite choice if you want an affordable zoom to shoot the sky, nature, buildings and real estate.
What did we look for? First, a wide focal length was obviously number one priority, but we made sure there’s not too much vignetting, distortion, flare and similar issues. These lenses are made with the crop factor in mind and are therefore ultra wide, so when you mount them on they’re still perfectly acceptable for even the most sophisticated landscape photographers. While this is a huge benefit for telephoto photography, it’s a disadvantage for wideangle scenes which is why Canon created an EF-S mount. The Canon T5i uses an APS-C sensor, which makes any lens appear as if it’s 1.6x longer than it actually is. You can buy it at Amazon or see more reviews here.īest for Landscape, Wideangle, Architecture and Indoor Photographyīest wide zoom -> Canon EF-S 10-18mm f/4.5-5.6 IS STMĬ heapest lens -> Canon EF-S 24mm f/2.8 STMīest but expensive -> Sigma 18-35mm f/1.8 DC HSM It’s the cheapest Canon lens and also features STM for silent video focusing (most lenses pick up noise from the focusing which can be annoying at times, it sounds like you have an animal trapped in the camera). It’s so simple and easy to get that when you’ve got a lens that can go f/2.8, f/2 or even lower, you can do that in less than a second on the T5i. Notice how soft and creamy the background blur looks like? This makes your subject stand out and the entire shot looks more professional.
Never owned a prime lens before and can’t understand what’s the big deal about this 50mm? The lens has far better quality than most zooms and thanks to aperture f/1.8, it allows you to blur the background and take pictures in darker places (pictures that don’t suck).Ĭheck out the background on the photograph above. The Canon EF 50mm f/1.8 STM is a lens you’ll see in almost every guide, simply because it’s that good. Their high quality, large aperture that lets in a ton of light, the ability to blur the background and a focal length that nicely compresses your subject’s face is why we put them on this list.
These lenses are good for almost all types of photography, but this is where they excel at. Best for Portraits, Weddings, Low Light and General Photographyīest for everything and cheap -> Canon EF 50mm f/1.8 STMīest quality and for low light -> Sigma 30mm f/1.4 DC HSMīest for portraits, weddings, concerts -> Canon EF 85mm f/1.8 USM The Canon T5i uses an APS-C sensor (1.6x crop factor) so you can also use EF-S lenses with it. What we always look for is the best combination of price, quality and reach (focal length).